Metropolitan Opera
There was something I should have mentioned about last Saturday's performance of Simon Boccanegra that I omitted. Most importantly, the role of Gabriele Adorno was sung by tenor Marcello Giordani, a singer who is having a tremendous career, not just at the Met but worldwide, and seems to be getting better and better. Why does that have anything to do with us? Because, gentle readers, Giordani made his US debut with our very own Portland Opera in 1988, playing the role of Nadir in Bizet's Pêcheurs de Perles. Didn't he do well? He obviously just needed something only Portland could give him.
News has issued from the Met that Peter Gelb has hired his predecesor, Joseph Volpe, (seen above with Beverley 'Bubbles' Sills), to undertake, on behalf of the Met Opera management, the negotiations with unions and other employees over fresh contracts. For a number of reasons this was not a ho-hum announcement. I could explain to you why that is the case, but Zach Woolfe has written a splendid article about it in The New York Observer, and I encourage you to read it. This is important stuff and Woolfe gives us some tremendous insights into the machinations at our premier opera house. I suspect Volpe is the perfect man for this job. He began life at the Met as a carpenter and worked his way up to being the boss of the whole shebang. Now, there's a guy who knows how to get along with people.