February 2010

Thirsty Thursday

Jonas KaufmannNews from the right coast

I know that quite a few of you travel to New York where you attend opera at the Met and lots more of you attend the high-def screenings of Met operas on a Saturday morning or listen to the weekly radio broadcasts. You may all wish to bookmark this page which provides details of the Met's 2010/2011 season.

A number of the productions are of particular interest to me. The first thing that struck me is that after 24 years they are finally getting around to mounting a production of John Adams's Nixon in China. The direction will be by Peter Sellars who was responsible for the original production (and much else by Adams). This is Sellars' directorial debut at the Met. I am wondering whether the role of Nixon has yet been cast. I know I can hardly be thought of as objective in this regard, but I cannot imagine why the Met would look any further than our old friend Robert Orth. Bob has become the definitive Nixon - the hunched shoulders, raised chin and other body mannerisms just perfectly calculated to fall short of parody, and an ability somehow to make this a sympathetic role.

I love this place!

Operaman and Manuel BarruecoA present? For me? Really?

This was a busy musical weekend in Portland. I have now lived here for about five years but am sometimes still astounded by the rich variety and high quality of the musical life in this city. It seems like it never stops. We are so lucky.

I attended the PSU Symphony Orchestra's concert at Kaul Auditorium, Reed College, yesterday afternoon. As I sauntered around the lobby I spotted conductor Ken Selden approaching me, his hand stretched out in greeting. "I have a present for you today!" he said, gleefully. "As we had some flexibility in the programming and I knew you would be here, I have included some Elgar for you!" Is this a sweet man, or what? The center-piece of the concert was a performance of Concierto de Aranjuez with Cuban guitarist Manuel Barrueco. I happen to know this work extremely well and am very fond of it, so my over-riding feeling when attending a live performance of it is usually along the lines "Please don't mess up one of my favourite pieces!" Yesterday I had no such concerns. Maestro Barrueco is a consummate artist and his performance thrilled me. Yes, actually thrilled me. I could have wished for larger orchestral forces but the playing was crisp and had all the right feel to it. The frighteningly exposed cor anglais solo in the second movement was played with aplomb. I chatted with Maestro Barrueco during the intermission and was immediately struck by what a warm and charming man he is (that's us in the picture). I hope he comes back to Portland very soon. Oh, the Elgar piece? The Serenade in E minor. Played beautifully.

Bravo, PSU Symphony and two thumbs up and my thanks to Maestro Selden.

Fun Friday

Opera Theater Oregon Das Rheingold posterThis is a busy weekend for Operaman. Today at 3pm I shall be at PSU to attend a rehearsal by the PSU Symphony Orchestra under Ken Seldon in preparation for their 'Soundscapes' concert at Kaull Auditorium, Reed College, on Sunday afternoon. The programme includes a performance of the famous guitar Concierto de Aranjuez by Rodrigo. The guitar soloist is Manuel Barrueco. Tickets for this concert, I am told, will be available at the door. This sounds like a splendid way to spend a couple of hours on Sunday and I am looking forward to it. On Saturday I will be at Hagg Lake at not-quite crack of dawn to watch Holly run a 25 k trail race. It's usually a mud race but with the weather having been dry and sunny the course should be somewhat easier to traverse. On Saturday afternoon at 3pm I shall be found at Sherman Clay in Southwest Portland for a violin/piano recital being given by Susan Chan and Madeleine Mitchell. This will include works by Mozart, Brahms and Bridge. This is a freebie! Let's go!

Apparently, non tutte fan così

Thais Pilger, Operaman, and Wendel PilgerBack in October I wrote about the gentleman who owns the grocery store near to my apartment, and how I found out that he is an opera fan and that he is married to a lady named Thaïs, after the Massanet opera of that name. The blog post about them is here. Well, last week, they celebrated their 50th wedding anniversary and it seemed to me that the occasion provided the perfect excuse for me to invite them to Portland Opera as my guests. Yes, I know it may seem that Così fan tutte is not quite the message of congratulations one might wish to give a couple on their Golden Wedding Anniversary, but I thought that, after having been together so long, with all of the ups and downs marriage brings over that time, that they would be able to laugh at an opera that accuses women of being fickle and doesn't exactly show men in the kindest of lights, either. So, on Saturday evening, Wendel and Thaïs Pilger joined me at the Keller Auditorium for the opera's closing night. They had dressed to the nines and turned up bang on time and looking maaahvellous!

Here's your mid-week opera news fix

Joseph Volpe and Beverly SillsMetropolitan Opera

There was something I should have mentioned about last Saturday's performance of Simon Boccanegra that I omitted. Most importantly, the role of Gabriele Adorno was sung by tenor Marcello Giordani, a singer who is having a tremendous career, not just at the Met but worldwide, and seems to be getting better and better. Why does that have anything to do with us? Because, gentle readers, Giordani made his US debut with our very own Portland Opera in 1988, playing the role of Nadir in Bizet's Pêcheurs de Perles. Didn't he do well? He obviously just needed something only Portland could give him.

News has issued from the Met that Peter Gelb has hired his predecesor, Joseph Volpe, (seen above with Beverley 'Bubbles' Sills), to undertake, on behalf of the Met Opera management, the negotiations with unions and other employees over fresh contracts. For a number of reasons this was not a ho-hum announcement. I could explain to you why that is the case, but Zach Woolfe has written a splendid article about it in The New York Observer, and I encourage you to read it. This is important stuff and Woolfe gives us some tremendous insights into the machinations at our premier opera house. I suspect Volpe is the perfect man for this job. He began life at the Met as a carpenter and worked his way up to being the boss of the whole shebang. Now, there's a guy who knows how to get along with people.

 

Being Operaman is just great!

Nixon in China signed album coverNixon in China. Orth in Portland.

I mentioned a couple of weeks ago that I had been to the Stars of Così concert where, among others, Robert Orth had performed. What I did not tell you was that on that very day I had purchased a copy of the new, concert version of Nixon in China, starring Bob Orth and Tracy Dahl, both of whom appeared in Portland Opera's production a few seasons ago, and both of whom will be reprising their roles in the upcoming Vancouver Opera production. I asked Bob to sign the insert to the CD package and that is what you can see right here. "To Operaman!" Incidentally, while on the subject of Vancouver Opera's production I should mention that they have just begun an excellent on-line study guide for Nixon in China which will last for a total of four weeks. It is free of course. I have signed up for a couple of reasons: I think I would like to learn more about this opera which, while I enjoyed it when I saw it here, I believe would improve with a more detailed understanding. Also, I just love Vancouver Opera! Their web-site and all of their communications and community stuff (Twitter, etc.) is first class. And who can resist their manga strips? I'll be reviewing the album and the study guide within the next week or two.

Super Bowl XLIV

And another thing...

Brenda HarrisPlàcido Domingo

For a guy who just celebrated either his 69th or 74th birthday (depending who you believe) Placidone sure is a busy guy. Last week he opened at the Met, performing the name role in a new production of Verdi's Simon Bocanegra. Then, last Saturday he was to be found in the orchestra pit at the Met, conducting Verdi's Stiffelio. On Sunday, he was to be found presenting a rapper award at the Grammy's. Simon Bocanegra, which we will all have an opportunity to see at the movies this coming Saturday, was, by and large, positively reviewed. His conducting of Stiffelio was not greeted with enthusiasm. At the Grammy's he looked just plumb awkward! And little wonder. What the hell were they thinking having him appear with Mos Def to honour a rap artist??

Mostly Mozart

Benjamin Franklin playing his Glass ArmonicaAlles gute zum Geburtstag, Herr Mozart!